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A Trip in Time · Book One · Ages 12–15

A Trip in Time
to Rome

A school assignment. A journey through time. A city with something to hide.

Meet Nora: fourteen, curious, and about to discover that history is much more complicated when you are standing in it.

Coming soon

Illustrated chapter fiction · Ink and watercolour

The story

Rome was never meant
to stay on a page.

Fourteen-year-old Nora would rather be doing almost anything than writing her history report. Then her scientist mum’s invention gives the family a chance to see Rome for themselves. With her historian dad beside her, the past becomes a city of crowded streets, extraordinary buildings and people with lives of their own.

But the Rome Nora discovers is not the same for everyone. Her new friend Cassia knows what it means to wait for water. As the girls follow the clues through the city’s waterworks, Nora must learn to look beyond impressive appearances—and question her own first conclusions.

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Nora and her parents arrive in Rome: illustrated hardback photograph
Illustrative book photograph. Read the sample for the exact text and layout.

Look inside · Illustrated chapter book

Begin in London.
Leave the century behind.

Start with The Assignment. Read the complete first chapter, see the ink-and-watercolour artwork and decide whether the story suits your reader.

Open the PDF ↗

Free to read. No email or account needed.

Actual consecutive pages from the finished book. Enlarge them in the chapter reader.

A city worth getting lost in

From sunlit streets
to a thousand evening lights.

Walk with Nora through ancient Rome: past workshops and fountains, along busy streets, into a world that is magnificent, complicated and alive.

Illustrative hardback photograph of the daylight Rome panorama
Rome by day · illustrative book photograph
Illustrative hardback photograph of the Rome night panorama
Rome after dark · illustrative book photograph
Teenage reader enjoying the Roman street panorama, illustrative photograph
Illustrative reading photograph.

For readers aged 12–15

For the ones who
ask another question.

A thirteen-chapter adventure for readers who enjoy mysteries, time travel and discovering how a place works. Nora is fourteen: observant, funny, sometimes impatient, and still learning when to change her mind.

Her Muslim Bengali family brings warmth, conversation and a shared curiosity to the journey. Friendship, fairness and the responsibility to check the evidence grow naturally through the story.

Read independently or share a chapter and talk about what Nora notices—and what she misses. The free sample helps you judge the vocabulary and reading pace.

One more chapter together

Wonder is better
when it’s shared.

What makes a city great? Who benefits from its achievements? And what happens when the neat explanation does not fit what people experience?

Follow the mystery with Nora and Cassia, then make room for your own questions.

Coming soon
Teenager and parent sharing the illustrated story, illustrative photograph
Illustrative shared-reading photograph.

Before you begin

A few useful details.

Is this the first Nora book?

Yes. A Trip in Time to Rome opens the A Trip in Time series. No earlier book is needed.

Is it a history book or a story?

It is original time-travel fiction set between London in 2126 and ancient Rome. Nora, her family and the central mystery are fictional. The illustrations are imaginative reconstructions, not documentary images.

How is the book illustrated?

Portrait pages bring together prose, ink-and-watercolour scenes and large facing-page panoramas. The finished story has thirteen chapters. Explore the actual sample to see its balance of text and pictures.

Which formats can I buy?

Ordering is not open yet. Final formats, prices and delivery details will be listed in the bookshop when available. The hardback and paperback photographs show illustrative presentations of the book.

Can I read a sample without signing up?

Yes. The entire first chapter is free, with an enlarged page reader, selectable text and a PDF.

A Trip in Time · Book One

A whole city to discover.
A mystery to make it yours.

Coming soon

A Trip in Time to Rome · Paper Moon Stories · Ages 12–15

A Trip in Time to Rome

Chapter One: The Assignment

The complete first chapter · 9 unchanged pages from the finished illustrated book.

Open chapter PDF ↗Text alternative ↓
Chapter One, sample page 1 of 9Chapter One, sample page 2 of 9Chapter One, sample page 3 of 9Chapter One, sample page 4 of 9Chapter One, sample page 5 of 9Chapter One, sample page 6 of 9Chapter One, sample page 7 of 9Chapter One, sample page 8 of 9Chapter One, sample page 9 of 9
Read the chapter as selectable text

THE ASSIGNMENT


CHAPTER ONE

The Assignment

By the time Nora reached the river, she had thought of three excellent replies to
her history teacher. Unfortunately, all three would have been more useful an
hour earlier.

She stopped beneath the awning of a closed flower stall and opened her exercise
book.

Interesting observations. Now use them to answer the question.

Below the comment, her drawing of an Egyptian irrigation channel had received
a tick. The paragraph beside it had received a question mark. She had spent
longer on the paragraph.

Across the Thames, the windows of the flood gardens were turning gold. A
maintenance cradle crept down the side of a tower, pausing wherever the
climbing plants had pushed through their supports. Beneath it, an old brick
warehouse sat between two newer buildings, with a tree growing out of what had
once been its chimney. Nora had drawn it last week. She liked the awkward
places where London had failed to fit together neatly.

Her wrist screen brightened.

Your usual route is clear.

She took the steps to the lower walkway instead. There was something unfinished
beneath the bridge that she wanted to look at.

A little farther on, a delivery trolley had become wedged between a bollard and a
discarded bicycle. It requested assistance in an extremely reasonable voice.
People stepped round it. Nora pulled the bicycle backwards until the trolley
rolled free, then watched it continue towards the steps.

'That's not going to help,' she told it.

It thanked her and stopped at the top.

She shut her exercise book. At least something else was having trouble with the
question.

At home, Dad was standing over a pan with a wooden spoon in one hand and a
book in the other. The kitchen window was open. Warm air carried the smell of
onions out towards the small courtyard, where Mum's workshop occupied almost
everything that was not a drain or a plant pot.

'Shoes,' Dad said without looking round.

5

A TRIP IN TIME TO ROME

Nora backed up, took them off and dropped her bag beside the table.

'How was school?'

'Augustus.'

Dad put down the book. 'Ah.'

'You don't even know what I'm going to say.'

'I can make a fairly strong prediction.'

She slid the new assignment across the table.

How did Rome change under Augustus, and who benefited?

'First Roman emperor,' she said. 'Built things. Won things. Had statues of
himself put everywhere. Fifteen hundred words, in my own handwriting, by
Monday.'

She stretched the fingers of her writing hand. In 2126, a machine could compose
a respectable essay before you had finished asking for it. Schools had responded
to AI plagiarism by making all schoolwork handwritten. Nora's history folder
consequently weighed more than her father's entire digital library.

Dad read the sheet while stirring the pan. 'It doesn't ask you to list what he built.'

'I know. It asks who benefited. Romans.'

'All of them?'

She pulled out a chair with rather more force than necessary.

Dad turned the heat down.

'Sorry,' he said. 'You have already had a teacher today.'

Nora sat. That made it harder to stay annoyed with him, which was annoying in
itself.

She showed him the earlier exercise. He looked at the channel drawing, then at
the paragraph and the question mark. She waited for him to tell her how good the
drawing was.

'You found something worth noticing,' he said. 'I think she wants to know what
you make of it.'

'What I make of it is a page with a question mark on it.'

'Yes. I can see that.'

He went back to the cooker, giving her enough time to wish she had answered
differently.

Nora drew Augustus in the corner of the assignment sheet. She gave him the
smooth, determined profile she remembered from the classroom display.
Underneath she wrote: Successfully became important.


6

THE ASSIGNMENT

Dad glanced over her shoulder.

'Reasonable opening. Difficult to sustain for fifteen hundred words.'

She almost smiled.

'I don't see what I'm supposed to discover. It's already happened. Everyone
already knows.'

'We know some of it.' He tasted the dhal, considered it and reached for the salt.
'There are whole lives we barely hear about. What people complained about at
breakfast. Which streets they avoided. What it sounded like when—'

'Dad.'

He lowered the spoon.

'You were going to tell me for a very long time.'

'I was going to offer you a taste.'

She took it. The lentils were hot enough to hurt. Dad waited, visibly trying not to
look pleased when she reached for another spoonful.

Outside, something struck the workshop door.

They both looked up.

There was a second sound: a scrape, followed by Mum saying something sharp in
Bangla. Then the door opened and she came across the courtyard carrying a
sealed transparent box against her chest.

Nora stood so quickly that her chair hit the wall.

Mum had been working on the machine for years. It had swallowed weekends
and covered the dining table with calculations. Nora knew the face Mum wore
when a test had nearly worked, and the much quieter face she wore when it had
not. This was neither.

'Turn that off,' Mum said to Dad.

He switched off the hob.

She put the box on the table. Inside lay the little survey drone, its four folded legs
tucked under its body. A smear of dark material marked one side of its casing.

'It came back,' Mum said.

Nora looked from the drone to her.

'From where?'

Mum tried to answer. Instead, she let out a laugh that broke in the middle. Dad
moved round the table and took her free hand.

She squeezed it, then reached for her tablet.

7

A TRIP IN TIME TO ROME

The kitchen wall cleared. The family calendar and a message from Nora's cousins
in Bangladesh disappeared. For a moment there was only grey.

Then leaves filled the wall.

They were wet and enormous, stirring above a floor of ferns. Beyond them lay a
strip of muddy water. Mist hung over it. The image trembled as the drone lifted,
and the view opened on a broad, low valley.

Something moved among the trees.

At first Nora could not understand its size. A branch bent sideways; a long neck
rose behind it. The animal brought its head round, trailing leaves from its mouth.
Farther back, another body shifted, grey-brown against the green, so large that
Nora had mistaken part of it for the ground.

Nobody spoke.

The first animal stepped into the shallows. Water bulged round its leg. A string of
droplets struck the surface, each one briefly bright.

Nora moved closer to the wall. She was aware of Dad breathing beside her and
the cooling pan behind them. Those things seemed to belong at an impossible
distance from what she was seeing.

'Is that really—?'

'Yes,' Mum said.

The drone turned. For an instant its own shadow travelled over the mud. The
image tilted and vanished.

Their calendar returned.

Saturday: groceries. Sunday: finish homework.

Nora stared at it.

'Put it back.'

Mum did.

They watched the animal wade into the water again. This time Nora noticed a
smaller shape behind it, almost hidden by the larger body. She pointed, and Mum
paused the recording.

'I hadn't seen that,' Mum said.

Nora looked at her. 'You hadn't?'

'I was watching the return readings.'

Dad bent over the sealed box. He did not touch it.

'The whole journey?'

8

THE ASSIGNMENT

Mum nodded. 'Out, a full survey interval, back to the marked position. Both
independent clocks recorded it. The home system kept its record separately.'

'And the return time?'

'Inside the predicted range.'

Dad shut his eyes for a moment. When he opened them he was smiling, but not in
the way he smiled at Nora's jokes.

Nora reached for Mum's hand. There was a small raw patch beside her
thumbnail, where she had been worrying at it. Her fingers felt cold.

'You did it,' Nora said.

Mum looked down at their hands.

'Alhamdulillah,' she said softly.

For a little while they stood round a kitchen table and watched animals that had
been dead for millions of years drink from a river.

It was Dad who remembered dinner.

They ate with the image still on the wall. Nora kept twisting in her chair to see it.
Once Mum raised a spoon to her mouth and forgot what she was doing. A lentil
landed on her sleeve.

'Can people go?' Nora asked.

Mum set the spoon down.

'The short crossings have passed their checks. This was the first complete
deep-time journey with the survey package. Before anyone takes a long trip, there
are more checks to do.'

'But can they?'

'Yes.'

Nora could not keep still. 'Could we?'

Dad looked at Mum, then at the assignment sheet beneath Nora's elbow.

'Rome,' he said.

Mum's eyes moved to him.

'Tomorrow,' he added.

Nora stopped moving.

'You mean actual Rome?'

'That would be my preference.'

'When?'

9

10

11

A TRIP IN TIME TO ROME

He took the sheet, careful not to put his fingers in the dhal. 'During Augustus's
reign. Eighteen BCE, perhaps. The new aqueduct would be working. Agrippa
would—'

He broke off. Nora watched him realise that he might finish this sentence in a
different way from any he had ever used before.

'We could see it,' he said.

Mum leaned back. Through the open window came the faint rattling of the
workshop's cooling fan.

'An identifiable period,' she said. 'Somewhere we can check the date
independently. Conditions we can live in. And more than a few minutes of
observations.'

'How many minutes?' Nora asked.

'I would like several days, at least. Repeated readings, different conditions. Then
I can compare the travelling records with the station's when we get back.'

'We can't miss school on Monday.'

She resented herself for saying it. Dad had suggested visiting ancient Rome and
she had responded like a timetable.

Mum drew the assignment towards her and turned it over. On the back she made
two marks, then a third well below them.

'We leave on Saturday. Before we leave, we set the home end of the return for
Sunday evening. We might spend ten days in Rome. We would live all ten of
them. But the journey home connects to the Sunday we set.'

Nora considered that.

'So I could have ten days to do my homework.'

'You could,' Dad said. 'Though it would be an elaborate way of avoiding fifteen
hundred words.'

'And if I forgot something, could we go back to before we left?'

'No,' Mum said. 'We don't enter a part of our own journey we've already lived.
The machine won't let us set that route. No going back to improve an answer.'

Nora thought of the history lesson and her three replies.

'Fine.'

Mum looked at both of them. 'This is a possibility, not a promise. I need to test
the destination. We need the short human crossings with one of us at the
controls. We all need to know how to come home. If anything is wrong, we wait.'

Dad nodded at once.

12

THE ASSIGNMENT

Nora nodded too. It was harder than she had expected. Now that Rome had
become a place they might go tomorrow, staying in London felt like losing
something she had not known she possessed.

After dinner, Dad cleared the plates. Mum went back to the workshop. Nora sat
with her notebook while their voices travelled through the open door: a question,
an answer, a pause while something was checked again.

She tried to draw the dinosaur, but its leg kept looking like a tree trunk. She
started on the smaller one instead. Around it she wrote questions. How old was
it? Had the drone frightened it? What did that valley smell like?

Later, Dad called her into the workshop. The machine stood inside a wide metal
frame, much less impressive than the pictures on the kitchen wall. There were
handles, indicator lights and a floor marked with three places to stand. Mum
made Nora practise using the return control while the machine was off. Then she
made Dad do it.

He got the sequence right and stood aside without a joke.

On her way to bed, Nora stopped at the kitchen table. Augustus still occupied the
corner of the assignment sheet. Mum's three pencil marks showed through from
the other side.

Nora added a question beside the emperor's head.

What would I notice if I were there?

She left the book open, ready for the morning.

13